Lauro Zavala
He is tenured researcher at the Universidad Autónoma Metropolitana, Xochimilco Campus (Mexico City) sin 1984. He has a Ph.D. in Hispanic Literature from the Colegio de México. He has created more than 120 semiotic analysis models for the neoformalist study of the classic, modernist and postmodernist narrative, especially on metafiction, minifiction, intertextuality and irony on literature and film. He teaches in the Education and Communications Department where he teaches in the Intertextual Semiotics major. He has directed 210 Licenciatura (B.A. equivalent) theses, and participates in the Ph.D. Humanities program. He belongs to the Sistema Nacional de Investigadores (SNI, National System of Researchers), the Mexican Academy of Sciences (AMC) and the American Academy of Spanish Language (ANLE). He has been guest professor at New York University (NYU). He the founder and president of the SEPANCINE (Seminario Permanente de Análisis Cinematográfico/ Asociación Meixcana de Teoría y Análisis Cinematográfico) since its creation in 2005. He has authored 62 books on the narrative theory in literature and film (28 by himself, 2 in collaboration, 13 as editor, one as a translator, and 18 as editor of short stories, minifiction and other genre of short narrative). His books and articles have been translated into 12 langauges: English, Frennch, Italian, German, Portuguese, Chinese, Greek, Mixe, Mixtec, Zopotec, Hungarian and Korean. His research books have been published in Brasil, Colombia, Cuba, Chile, China, Spain, Guatemala, Honduras, England, Mexico, Peru, Dominican Republic, and Uruguay. His most recent books are: Principios de teoría narrative (UNAM, 2017); Para analizar cine y literatura (Madrid, 2018); La seducción luminosa: Teoría y práctica del análisis cienematográfico (Trillas, 2ª ed., 2014); Semiótica preliminar (FOEM, 2015); Cómo estudiar el cuento (Trillas, 2ª ed., 2019); La minificción bajo el microscopio (Chile, 2021) and Semiótica fronteriza (FOEM, 2022)
He is tenured researcher at the Universidad Autónoma Metropolitana, Xochimilco Campus (Mexico City) sin 1984. He has a Ph.D. in Hispanic Literature from the Colegio de México. He has created more than 120 semiotic analysis models for the neoformalist study of the classic, modernist and postmodernist narrative, especially on metafiction, minifiction, intertextuality and irony on literature and film. He teaches in the Education and Communications Department where he teaches in the Intertextual Semiotics major. He has directed 210 Licenciatura (B.A. equivalent) theses, and participates in the Ph.D. Humanities program. He belongs to the Sistema Nacional de Investigadores (SNI, National System of Researchers), the Mexican Academy of Sciences (AMC) and the American Academy of Spanish Language (ANLE). He has been guest professor at New York University (NYU). He the founder and president of the SEPANCINE (Seminario Permanente de Análisis Cinematográfico/ Asociación Meixcana de Teoría y Análisis Cinematográfico) since its creation in 2005. He has authored 62 books on the narrative theory in literature and film (28 by himself, 2 in collaboration, 13 as editor, one as a translator, and 18 as editor of short stories, minifiction and other genre of short narrative). His books and articles have been translated into 12 langauges: English, Frennch, Italian, German, Portuguese, Chinese, Greek, Mixe, Mixtec, Zopotec, Hungarian and Korean. His research books have been published in Brasil, Colombia, Cuba, Chile, China, Spain, Guatemala, Honduras, England, Mexico, Peru, Dominican Republic, and Uruguay. His most recent books are: Principios de teoría narrative (UNAM, 2017); Para analizar cine y literatura (Madrid, 2018); La seducción luminosa: Teoría y práctica del análisis cienematográfico (Trillas, 2ª ed., 2014); Semiótica preliminar (FOEM, 2015); Cómo estudiar el cuento (Trillas, 2ª ed., 2019); La minificción bajo el microscopio (Chile, 2021) and Semiótica fronteriza (FOEM, 2022)